comehitherashes:

writingforalifetime:

porthos + fabulous hat

I didn’t realize there were so many times that he wasn’t grinning… but dat hat tho.

LOL, so true; he does serious and deadly so damn well, though.

do you think they ever swap hats? I have this headcanon where Porthos steals Aramis’ hat in the mornings when Aramis is all sleepy and afterglow and Porthos runs off with it and pretends to be Aramis for the day

well that is obviously true and SO ADORABLE

(Source: howardcharles)

comehitherashes:

kynikey:

Athos is not impressed with your shenanigans

at first i thought Aramis looked a bit alarmed now i know better that expression is one of pure LUST he’s like hell yeah gimme that blindfold we’re going to the bedroom see you guys later (via lancelot-is-flying-the-tardis)

arE YOU KIDDING ME. You never thought that was alarm, you’ve been touting Portamis SINCE BEFORE TIME BEGAN.

Also, if those aren’t Athos’ bedrooms eyes, I don’t know what are.

d’artagnan is just obliviously drinking completely unaware of this SEXUAL TENSION he’ll look up suddenly like what where did they go NOWHERE PUPPY JUST STAY INNOCENT

AND THAT IS NOT TRUE. There was like, a five minute period in the first episode where I did not ship them. You know… the five minutes before they were on screen together ;)

comehitherashes:

lancelot-is-flying-the-tardis:

amynion:

mimswriter:

Kurt Vonnegut: 16 Rules For Writing Fiction
1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things — reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
9. Find a subject you care aboutand which you in your heart feel others should care about.
10. Do not ramble.
11. Keep it simple. Simplicity of language is not only reputable, but perhaps even sacred.
12. Have guts to cut. Your rule might be this: If a sentence, no matter how excellent, does not illuminate your subject in some new and useful way, scratch it out.
13. Sound like yourself. The writing style which is most natural for you is bound to echo the speech you heard when a child.
14. Say what you mean. You should avoid Picasso-style or jazz-style writing, if you have something worth saying and wish to be understood.
15. Pity the readers. Our stylistic options as writers are neither numerous nor glamorous, since our readers are bound to be such imperfect artists.
16. You choose. The most meaningful aspect of our styles, which is what we choose to write about, is utterly unlimited.

Well, some of us have no trouble with number six… *eyes slide towards lancelot-is-flying-the-tardis * :P

EXCUSE YOU WHO JUST SENT ME SO MUCH ANGST I AM DROWNING IN IT HUH? OH WAIT IT WAS YOU. YOU ARE ALMOST AS BAD AS ComeHitherAshes WHO I KNOW IS WRITING ANGST RIGHT NOW.

GUYS, STOP FIGHTING, THERE’S ENOUGH ANGST FOR EVERYONE <3

NO YOU ARE WRONG THERE IS NEVER ENOUGH ANGST

comehitherashes:

lancelot-is-flying-the-tardis:

amynion:

mimswriter:

Kurt Vonnegut: 16 Rules For Writing Fiction

1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.

2. Give the reader at least one character he or she can root for.

3. Every character should want something, even if it is only a glass of water.

4. Every sentence must do one of two things — reveal character or advance the action.

5. Start as close to the end as possible.

6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.

7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.

8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

9. Find a subject you care aboutand which you in your heart feel others should care about.

10. Do not ramble.

11. Keep it simple. Simplicity of language is not only reputable, but perhaps even sacred.

12. Have guts to cut. Your rule might be this: If a sentence, no matter how excellent, does not illuminate your subject in some new and useful way, scratch it out.

13. Sound like yourself. The writing style which is most natural for you is bound to echo the speech you heard when a child.

14. Say what you mean. You should avoid Picasso-style or jazz-style writing, if you have something worth saying and wish to be understood.

15. Pity the readers. Our stylistic options as writers are neither numerous nor glamorous, since our readers are bound to be such imperfect artists.

16. You choose. The most meaningful aspect of our styles, which is what we choose to write about, is utterly unlimited.

Well, some of us have no trouble with number six… *eyes slide towards lancelot-is-flying-the-tardis * :P

EXCUSE YOU WHO JUST SENT ME SO MUCH ANGST I AM DROWNING IN IT HUH? OH WAIT IT WAS YOU. YOU ARE ALMOST AS BAD AS ComeHitherAshes WHO I KNOW IS WRITING ANGST RIGHT NOW.

GUYS, STOP FIGHTING, THERE’S ENOUGH ANGST FOR EVERYONE <3

NO YOU ARE WRONG THERE IS NEVER ENOUGH ANGST

ao3feed-musketeers:

read it on the AO3 at http://ift.tt/1sFVg1n

by

Words: 5078, Chapters: 1/1, Language: English

wizzkizwonders:

darthstripmaul:

thetroothandnothingbutthetruth:

door:

scjacka:

brain-food:

rahzzah:

We Named Chris Pratt “Indiana" by Rahzzahadmit it…you kinda really want this

i never knew i wanted something so badly. 

I should just leave this here and walk away… just leave it

oh

Dear god in merciful heaven

Um, I’ll take it.

If this doesn’t happen, someone, somewhere, is doing something wrong.

wizzkizwonders:

darthstripmaul:

thetroothandnothingbutthetruth:

door:

scjacka:

brain-food:

rahzzah:

We Named Chris Pratt “Indiana" by Rahzzah

admit it…you kinda really want this

i never knew i wanted something so badly. 

I should just leave this here and walk away… just leave it

oh

Dear god in merciful heaven

Um, I’ll take it.

If this doesn’t happen, someone, somewhere, is doing something wrong.

radiophile:

i made this late last night and was too exhausted to explain coherently why. i’m still not sure i can articulate it but here goes:

this gesture, this right here, free shot, hit me if you dare gesture he makes — it’s so devastating to me because it reveals so much about who he is and what he’s been through. he has seen the absolute worst this world has to offer, he’s been fending for himself since he was a child among others discarded and forgotten, and even after earning his place among the musketeers, he gets jeered in court and called the worst names. he is dedicating his life to serve a country who doesn’t respect him, who doesn’t even see him as human. nobody could blame him if he was bitter or resentful or even cruel, but he’s none of those things. and when someone tries to hit him, he laughs because this is something he knows; he’s been taking hits every fucking day of his life, only this time he can fight back, and he’ll fucking win.

(via hippity-hoppity-brigade)

I want to hear more about Sam.

(Source: havodadlegolas, via hewalksinstarlight)

darren-freakin-criss:

takealookatyourlife:

heroicallyfound:

svetlana-del-rey:

Was she going to slap you because you never in any way made him gay in the actual books, taking zero risks/doing absolutely nothing for gay characters in literature, and only announcing your “authorial intent” afterwards for a cheap shot at looking like an ~ally~

^^^

Gay people are just normal people. We are not told about any of the Hogwarts professors love lives, other than Snape, and it would be completely out of character for Dumbledore to walk around telling everyone about his sexuality.

Did you want her to make him dress in glittery platform boots, a crop top, and decorate his office in rainbow flags to make it more obvious for you? Would that be enough of a stereotype to appease you people? Or what? Please tell me. I’d like to know how you think a gay character is supposed to be portrayed.

And did you miss the Grindelwald chapters in the ‘actual books’? Or was that also not obvious enough for you? Did Dumbledore need to whisper “always” wistfully in order for you to connect that he had romantic feelings for Grindelwald? Maybe you are American and need them to gaze longingly into each others eyes with awkward close ups of their fingers almost grazing each other that Hollywood thinks means ‘true love’. 

It didn’t fit into his relationship to Harry to ever say “I’m gay”, and so it was not stated explicitly (you might have noticed the book was told from Harry Potter’s perspective).

The point is though, that he is a homosexual, well respected, powerful, and very loved wizard- and his sexuality doesn’t matter because no one else thinks it matters. a.k.a. no one care that he loves men, and that is wonderful. 

image

(via adore-castiel)

prokopetz:

Why do the movies never show us this Spider-Man?

(Source: breakourbones, via faramihr)

Tags: spiderman